October 8, 2010

strategies for wrecking paintings no. 3

There are lots of ways to keep a painting from getting overly teachy. Mediocre painting tries to say too much, leaves no room for the eye to move. And so when I see the teacher getting the upper hand as a painting is developing I think about doing something bad.

Francis Bacon used to throw paint at his paintings, just to see how something completely accidental might improve things. I prefer painting outside the lines: letting the brush have some freedom, letting it dance around the canvas. That beautiful green on the door frame is also right up there next to an eye brow and there under the chin. Why not. Here's a painting where the brush did it's dance:




















Here's a painting by Ann Gale--whose paintings remind me of the Swiss painter, Giacometti:

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These studio notes are scraps of poetry and ideas that feed my work as a painter. I hope they establish a bit of context for the paintings and my intention in making them. Whatever I paint, I’m trying to create some space for us to sit with the questions that are not meant to be answered.

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